Posted on by Abe Austin

Scriptural Analysis- Exodus 31:6

6 And I, behold, I have given with him Aholiab, the son of Ahisamach, of the tribe of Dan: and in the hearts of all that are wise hearted I have put wisdom, that they may make all that I have commanded thee;

Bezaleel is to be joined by Aholiab as well. Aholiab’s skills are not specified, but perhaps he was skilled in needlework and tailoring, so that he could take charge of the curtains and clothing for the priests.

This verse also states, “and in the hearts of all that are wise hearted I have put wisdom,” suggesting that Bezaleel and Aholiab were not the sole artisans, but rather the chief craftsmen, with teams that they would lead in the construction of the tabernacle. And so, the work was delegated from God to Moses, to these to two men, and finally to a number of others. God’s work would percolate down and across until enough men had been called to accomplish the task.

Posted on by Abe Austin

Scriptural Analysis- Exodus 31:1-5

1 And the Lord spake unto Moses, saying,

2 See, I have called by name Bezaleel the son of Uri, the son of Hur, of the tribe of Judah:

3 And I have filled him with the spirit of God, in wisdom, and in understanding, and in knowledge, and in all manner of workmanship,

4 To devise cunning works, to work in gold, and in silver, and in brass,

5 And in cutting of stones, to set them, and in carving of timber, to work in all manner of workmanship.

Today’s chapter begins by introducing us to the first artisan whom God had called to fashion the parts of the tabernacle. Bezaleel’s name means “in the shadow of God,” a particularly appropriate name for one who would be “filled with the spirit of God” to know how to build according to the Lord’s design.

Specifically, we are told that Bezaleel had expertise in working with metal, cutting stones, and carving timbers. This would allow him to assemble the wooden bodies of the furniture, to overlay them in gold, silver, and brass, and to etch the stones set upon the shoulders and in the ephod of the priest.

A skill that is not mentioned for him is the working of thread and cloth, which would be necessary for the curtains and the clothing of the priests. That work, it would seem, would be assigned to another. Perhaps someone else would also be required to prepare the anointing oil and the perfume, assuming there was more to the process than just measuring the ingredients and stirring them together.

When we think about being empowered by the Spirit of the Lord, we often think of things like prophecy, healing, and the working of miracles, but the Bible also sets the precedent for divinely inspired creativity, both of the artistic and inventive variety. There are these inspired artisans that crafted the tabernacle, but also the building of Noah’s Ark, the poems of David and Solomon, and even the stories told by Jesus. The act of creation has a divine source after all, each of us inheriting it from the greatest creator in all the universe.

Posted on by Abe Austin

Scriptural Analysis- Exodus 26:15-17

15 And thou shalt make boards for the tabernacle of shittim wood standing up.

16 Ten cubits shall be the length of a board, and a cubit and a half shall be the breadth of one board.

17 Two tenons shall there be in one board, set in order one against another: thus shalt thou make for all the boards of the tabernacle.

We now discuss the body of the temple, the frame that the curtains will be laid over. The boards are to be constructed of the same shittim wood that is at the core of all the temple instruments.

This raises an interesting question. These boards were not of insignificant length: 10 cubits tall, which is approximately 15 feet. This means that to make a board of this length one needs a tree that grows straight and tall. The shittah tree can grow very tall, even over 60 feet, but it is known for having twisted and gnarled trunks. With careful selection, perhaps the Israelites were able to find angles in the tree from which sufficiently long boards could be extracted. Or perhaps they had to resort to special techniques to reshape curved portions, such as steam bending, or even they might have had to find ways to construct the boards from several composite parts, such as with scarf joints. I don’t actually know if the construction of these boards would have been a special challenge, but I wouldn’t be surprised if it required special thought and selection.

Whatever the process, they were to create dozens of boards that stood 10 cubits tall, a cubit-and-a-half wide, and each with “two tenons” at the bottom, which means the board was forked into two shafts at the base. As we will see in tomorrow’s verses, those forked ends would be perfect for inserting the boards into a solid foundation.

Note: It can be difficult to visualize some of the structures described in these verses. Here is an excellent and extremely focused series of animations that show the visual form of the temple and its instruments, built up verse-by-verse from the Exodus record: https://youtube.com/playlist?list=PLpjohncRg94EZ55nJrbaKfi-lfeo3MFgl&si=6wm1J9Sdnu7LKYC_