Posted on by Abe Austin

Scriptural Analysis- Exodus 37:25-29

25 And he made the incense altar of shittim wood: the length of it was a cubit, and the breadth of it a cubit; it was foursquare; and two cubits was the height of it; the horns thereof were of the same.

26 And he overlaid it with pure gold, both the top of it, and the sides thereof round about, and the horns of it: also he made unto it a crown of gold round about.

27 And he made two rings of gold for it under the crown thereof, by the two corners of it, upon the two sides thereof, to be places for the staves to bear it withal.

28 And he made the staves of shittim wood, and overlaid them with gold.

29 And he made the holy anointing oil, and the pure incense of sweet spices, according to the work of the apothecary.

We hear of the construction of the incense altar, which completes all of the furniture of the tabernacle, and then we move on to the formulating of the anointing oil and the spices, which would be used for certain rituals within the tabernacle. Thus, we finish the chapter by concluding the house of the Lord, and next chapter we will go into the elements that were in the courtyard.

Reading these verses, it occurred to me that the holy anointing oil and the sweet spices were two things that the priests would run out of and have to have replaced. I wonder if there was any specific instruction as to how and where new batches could be created and who could do it. If so, we do not have those records.

Posted on by Abe Austin

Scriptural Analysis- Exodus 37:17-24

17 And he made the candlestick of pure gold: of beaten work made he the candlestick; his shaft, and his branch, his bowls, his knops, and his flowers, were of the same:

18 And six branches going out of the sides thereof; three branches of the candlestick out of the one side thereof, and three branches of the candlestick out of the other side thereof:

19 Three bowls made after the fashion of almonds in one branch, a knop and a flower; and three bowls made like almonds in another branch, a knop and a flower: so throughout the six branches going out of the candlestick.

20 And in the candlestick were four bowls made like almonds, his knops, and his flowers:

21 And a knop under two branches of the same, and a knop under two branches of the same, and a knop under two branches of the same, according to the six branches going out of it.

22 Their knops and their branches were of the same: all of it was one beaten work of pure gold.

23 And he made his seven lamps, and his snuffers, and his snuffdishes, of pure gold.

24 Of a talent of pure gold made he it, and all the vessels thereof.

I am no expert, but it seems to me that the crafting of the golden candlestick may have been the most impressive work done in the creation of the temple. Note that it says it was a “beaten work.” This means that the candlestick was hammered into shape, not cast from a mold.

Casting from a mold would have greatly simplified the creation of the candlestick, as it would have allowed the mold to be designed from softer materials, and each mold could be used to cast multiple branches. But casting would have required a very powerful forge to melt the metals down to liquid form, something the Israelites were unlikely to have in their nomadic lifestyle. Thus, hammering was likely the only viable option.

The process of hammering gold is to heat the material until it becomes soft, and then beating it with a hammer, slowly stretching, dividing, and forming it into the shape of the candlestick. Every branch would have to be shaped individually. Every minute detail of almonds and flowers meticulously hammered with tiny strikes. Every symmetry verified by eye and measurement.

Clearly it would take a great master to create something of beauty and symmetry. It would require the patience, passion, and attention to detail that every disciple ought to strive for in his service of the Lord.

Posted on by Abe Austin

Scriptural Analysis- Exodus 37:10-16

10 And he made the table of shittim wood: two cubits was the length thereof, and a cubit the breadth thereof, and a cubit and a half the height thereof:

11 And he overlaid it with pure gold, and made thereunto a crown of gold round about.

12 Also he made thereunto a border of an handbreadth round about; and made a crown of gold for the border thereof round about.

13 And he cast for it four rings of gold, and put the rings upon the four corners that were in the four feet thereof.

14 Over against the border were the rings, the places for the staves to bear the table.

15 And he made the staves of shittim wood, and overlaid them with gold, to bear the table.

16 And he made the vessels which were upon the table, his dishes, and his spoons, and his bowls, and his covers to cover withal, of pure gold.

Today covers the creation of the table of shewbread. Reading these verses, I had the thought occur to me that this whole account must be a summary of the entire work done, not necessarily a sequential log of what order all that work was accomplished in. It seems most likely that several instruments for the tabernacle were being worked on simultaneously. One man could be turning shittim wood into boards, another man could be fitting those into the structure of the table, another man could be carving the staves, and a fourth man could be making the golden dishes. And, simultaneously, even more men working on the ark, the candlestick, the laver, etc.

God often leaves those sorts of logistics to the individual. Sometimes He might give a specific process to follow, but often He only mandates an end result, a clear vision of what one needs to accomplish, and then man must determine his own methodology to divide that labor and bring the vision to reality.

Posted on by Abe Austin

Scriptural Analysis- Exodus 37:1-9

1 And Bezaleel made the ark of shittim wood: two cubits and a half was the length of it, and a cubit and a half the breadth of it, and a cubit and a half the height of it:

2 And he overlaid it with pure gold within and without, and made a crown of gold to it round about.

3 And he cast for it four rings of gold, to be set by the four corners of it; even two rings upon the one side of it, and two rings upon the other side of it.

4 And he made staves of shittim wood, and overlaid them with gold.

5 And he put the staves into the rings by the sides of the ark, to bear the ark.

6 And he made the mercy seat of pure gold: two cubits and a half was the length thereof, and one cubit and a half the breadth thereof.

7 And he made two cherubims of gold, beaten out of one piece made he them, on the two ends of the mercy seat;

8 One cherub on the end on this side, and another cherub on the other end on that side: out of the mercy seat made he the cherubims on the two ends thereof.

9 And the cherubims spread out their wings on high, and covered with their wings over the mercy seat, with their faces one to another; even to the mercy seatward were the faces of the cherubims.

We continue the record of the tabernacle’s creation, today by hearing the description of Bezaleel crafting the Ark of the Covenant. I would say that this was the single most sacred piece in all of the tabernacle, and an interesting question is at what point did the ark become holy?

Was it holy back when it was a tree in the middle of the desert? Or when it was half-carved on the carpenter’s workbench, with shavings still littering the floor? Or after the main piece was fully formed and overlaid with gold? Or only after the lid, rings and staves were finally attached?

I believe the answer is none of those moments. Those were all stages in the development of a worthy vessel, but I believe that vessel did not become sacred until God’s presence rested within the tabernacle and sanctified everything therein. Before that moment of divine touch, it was just beautiful workmanship. After that moment, it was dedicated to the work of the Lord.