Posted on by Abe Austin

Scriptural Analysis- Exodus 39:42-43

42 According to all that the Lord commanded Moses, so the children of Israel made all the work.

43 And Moses did look upon all the work, and, behold, they had done it as the Lord had commanded, even so had they done it: and Moses blessed them.

In the previous post I noted that the instructions for the creation of the tabernacle, its execution, and the presentation of the finished work, all call to mind the creation of the Earth at the beginning of Genesis. That pattern is concluded in today’s verses, where Moses approves of the work, very much in the style of “And God saw the light, that it was good,” (Genesis 1:4).

When it comes to divine works of creation, approval is an essential stage. God or His steward must see and validate that all has been done correctly. Both the original account of the earth’s creation and this account of the tabernacle’s creation are foreshadows of the ultimate presentation of finished work, wherein Christ will present our souls to the Father, showing Him the required perfection that we have obtained through him, then to receive the glad word that “it is good.”

Posted on by Abe Austin

Scriptural Analysis- Exodus 39:32-41

32 Thus was all the work of the tabernacle of the tent of the congregation finished: and the children of Israel did according to all that the Lord commanded Moses, so did they.

33 And they brought the tabernacle unto Moses, the tent, and all his furniture, his taches, his boards, his bars, and his pillars, and his sockets,

34 And the covering of rams’ skins dyed red, and the covering of badgers’ skins, and the veil of the covering,

35 The ark of the testimony, and the staves thereof, and the mercy seat,

36 The table, and all the vessels thereof, and the shewbread,

37 The pure candlestick, with the lamps thereof, even with the lamps to be set in order, and all the vessels thereof, and the oil for light,

38 And the golden altar, and the anointing oil, and the sweet incense, and the hanging for the tabernacle door,

39 The brasen altar, and his grate of brass, his staves, and all his vessels, the laver and his foot,

40 The hangings of the court, his pillars, and his sockets, and the hanging for the court gate, his cords, and his pins, and all the vessels of the service of the tabernacle, for the tent of the congregation,

41 The cloths of service to do service in the holy place, and the holy garments for Aaron the priest, and his sons’ garments, to minister in the priest’s office.

Today’s verses answer directly to those in chapter 35, verses 10-19. There, Moses quickly listed out to the people all of the different elements that needed to be created for the tabernacle, and now we have listed out all of the created elements that they presented back to him. It is a perfect symmetry of concept to reality, command to creation.

This pattern calls to mind the creation of the world where God spoke with His mouth the things that He wanted to “let there be,” and then the physical creation of that thing occurred. “And God said, Let there be light: and there was light,” (Genesis 1:3). This parallel between the creation of the tabernacle and the creation of the world will be made even more explicit in tomorrow’s verses. It seems clear that we are meant to link those two events in our minds. God created a paradise, and now with the liberated Israelites He is recreating it in microcosm form. The tabernacle was to be a small cell of heaven in the middle of fallen earth.

Posted on by Abe Austin

Scriptural Analysis- Exodus 39:22-31

22 And he made the robe of the ephod of woven work, all of blue.

23 And there was an hole in the midst of the robe, as the hole of an habergeon, with a band round about the hole, that it should not rend.

24 And they made upon the hems of the robe pomegranates of blue, and purple, and scarlet, and twined linen.

25 And they made bells of pure gold, and put the bells between the pomegranates upon the hem of the robe, round about between the pomegranates;

26 A bell and a pomegranate, a bell and a pomegranate, round about the hem of the robe to minister in; as the Lord commanded Moses.

27 And they made coats of fine linen of woven work for Aaron, and for his sons,

28 And a mitre of fine linen, and goodly bonnets of fine linen, and linen breeches of fine twined linen,

29 And a girdle of fine twined linen, and blue, and purple, and scarlet, of needlework; as the Lord commanded Moses.

30 And they made the plate of the holy crown of pure gold, and wrote upon it a writing, like to the engravings of a signet, Holiness to the Lord.

31 And they tied unto it a lace of blue, to fasten it on high upon the mitre; as the Lord commanded Moses.

Underneath the ephod was the blue robe, and upon the head was the mitre, and on the front of the mitre was the gold plate that said “Holiness to the Lord.” With this we conclude the final description of the creation of the tabernacle. Every item has been created, exactly as dictated by the Lord.

I feel that often when the Old Testament Israelites are spoken of, there is great emphasis on their stubbornness and faithlessness. Certainly, they had their moments. They murmured, they doubted, and they betrayed at various times, and even brought God to the point of contemplating their destruction. But they were approximately two million individuals in all, and clearly there was some good mixed in with the bad. If some of them were perpetually faithless and ungrateful, some of them were also perpetually trustworthy and obedient. Everything that we’ve read over the last four chapters has been a testament to that good portion. These chapters are a witness to the fact that there was leaven within the dough.

Posted on by Abe Austin

Scriptural Analysis- Exodus 39:10-21

10 And they set in it four rows of stones: the first row was a sardius, a topaz, and a carbuncle: this was the first row.

11 And the second row, an emerald, a sapphire, and a diamond.

12 And the third row, a ligure, an agate, and an amethyst.

13 And the fourth row, a beryl, an onyx, and a jasper: they were inclosed in ouches of gold in their inclosings.

14 And the stones were according to the names of the children of Israel, twelve, according to their names, like the engravings of a signet, every one with his name, according to the twelve tribes.

15 And they made upon the breastplate chains at the ends, of wreathen work of pure gold.

16 And they made two ouches of gold, and two gold rings; and put the two rings in the two ends of the breastplate.

17 And they put the two wreathen chains of gold in the two rings on the ends of the breastplate.

18 And the two ends of the two wreathen chains they fastened in the two ouches, and put them on the shoulderpieces of the ephod, before it.

19 And they made two rings of gold, and put them on the two ends of the breastplate, upon the border of it, which was on the side of the ephod inward.

20 And they made two other golden rings, and put them on the two sides of the ephod underneath, toward the forepart of it, over against the other coupling thereof, above the curious girdle of the ephod.

21 And they did bind the breastplate by his rings unto the rings of the ephod with a lace of blue, that it might be above the curious girdle of the ephod, and that the breastplate might not be loosed from the ephod; as the Lord commanded Moses.

Today we hear of the 12 stones set upon the breastplate, and the golden chains that anchor it to the shoulders of the ephod, and the blue lace that anchors it to the side of the ephod.

The 12 stones are some of the most individual pieces in all the ornaments of the tabernacle. Each one would have to be shaped and engraved uniquely, just as each member of each tribe would receiving individual care at the hands of the priest.

As with the original description from God, these verses emphasize that the binding of the breastplate to the ephod was so that it “might not be loosed.” This has an obvious practical function, to keep the thing from swinging around and banging into the priest as he goes about his duties, but there is also a symbolism in it as well.

If the breastplate represents the twelve tribes of Israel, and the ephod is the garments of the Lord’s representative, then their tethering together can be seen as a spiritual injunction that the two parties must not drift apart. The people of Israel should see that they are always bound to the tabernacle, the rituals of the priests, and all that they represent. They must bind themselves to God’s commands as if by the strength of metal above and the pliability of lace below.

Posted on by Abe Austin

Scriptural Analysis- Exodus 39:1-9

1 And of the blue, and purple, and scarlet, they made cloths of service, to do service in the holy place, and made the holy garments for Aaron; as the Lord commanded Moses.

2 And he made the ephod of gold, blue, and purple, and scarlet, and fine twined linen.

3 And they did beat the gold into thin plates, and cut it into wires, to work it in the blue, and in the purple, and in the scarlet, and in the fine linen, with cunning work.

4 They made shoulderpieces for it, to couple it together: by the two edges was it coupled together.

5 And the curious girdle of his ephod, that was upon it, was of the same, according to the work thereof; of gold, blue, and purple, and scarlet, and fine twined linen; as the Lord commanded Moses.

6 And they wrought onyx stones inclosed in ouches of gold, graven, as signets are graven, with the names of the children of Israel.

7 And he put them on the shoulders of the ephod, that they should be stones for a memorial to the children of Israel; as the Lord commanded Moses.

8 And he made the breastplate of cunning work, like the work of the ephod; of gold, blue, and purple, and scarlet, and fine twined linen.

9 It was foursquare; they made the breastplate double: a span was the length thereof, and a span the breadth thereof, being doubled.

We turn now to the creation of the priestly garments. Today covers the ephod and the breastplate on the chest, as well as the shoulder-pieces.

A new detail that we learn in these verses is how gold was worked into the fabric of the ephod and breastplate. In the original instructions we were simply told that they were to be made “of gold, of blue, and of purple, of scarlet, and fine twined linen, with cunning work.” From that description one might have assumed that the “gold” simply meant linen dyed the color of gold, or just gold clasps around the edges, but today we learn that fine wires of gold were actually woven as strands throughout the fabric. Certainly, a more arduous task, but far more impressive. Also, far more symbolic, for the gold seems to represent God interwoven among the strands of our own lives.

Moving on to the breastplate, one detail I did not touch on the first time around is that thing is said to be “doubled.” This seems to suggest that it was actually one span by two spans, then folded over to make a square. This explains how it could function as a pocket to hold the Urim and Thummim.