7 And thou shalt make curtains of goats’ hair to be a covering upon the tabernacle: eleven curtains shalt thou make.

8 The length of one curtain shall be thirty cubits, and the breadth of one curtain four cubits: and the eleven curtains shall be all of one measure.

9 And thou shalt couple five curtains by themselves, and six curtains by themselves, and shalt double the sixth curtain in the forefront of the tabernacle.

10 And thou shalt make fifty loops on the edge of the one curtain that is outmost in the coupling, and fifty loops in the edge of the curtain which coupleth the second.

11 And thou shalt make fifty taches of brass, and put the taches into the loops, and couple the tent together, that it may be one.

We now move on to the second set of curtains. There are many similarities between this and the first, but also some notable differences. The first curtains were made of linen, which is made from the flax plant. This curtain is to be made from the hair of goats. If we take a peek ahead, the next layers will be made of rams skins and then badgers skins. Thus we have a progression from plant, to hair, to skin; the layers are becoming more animal as they go. What is more, they are becoming more wild. The linen is artificially woven by man, the goat’s hair grows on the beast, and the skins are obviously a result of an animal’s death. Also, the ram is a domesticated sheep, whereas the badger is a wild creature and unclean for the Israelites to eat, ergo more wild.

Another difference is that the individual curtains are longer than the previous. They are thirty cubits long as opposed to twenty-eight. Also there are eleven of them, and they are paired into two groups of five and six, as opposed to the ten linen curtains paired into five and five. Thus, these goat’s skin curtains, when combined together, are both longer and wider than the others, which makes sense given that it will be overlaying the first.

As with the first set of curtains, these are to have loops made in the long edge of both halves, and then those loops connected by a series of taches or hooks. This time the taches would be made of brass, though, not gold as with the first set of curtains. This again shows how the outer layer is less refined and precious than the inner.

Note: It can be difficult to visualize some of the structures described in these verses. Here is an excellent and extremely focused series of animations that show the visual form of the temple and its instruments, built up verse-by-verse from the Exodus record: https://youtube.com/playlist?list=PLpjohncRg94EZ55nJrbaKfi-lfeo3MFgl&si=6wm1J9Sdnu7LKYC_